Queer Summer Reading

Happy Pride Month, y’all! Last year I celebrated with a recommendation post to help fulfill your queer reading needs. Carrying on the tradition with a whole new crop of recommendations seemed like a fine way to celebrate again this year. So hold onto your butts, because I have novels, short stories, podcasts, and publication recs coming your way!

Novels, Anthologies, and Collections

Blackfish City CoverThe Luminous Dead by Caitlin Starling – a creepy, claustrophobic, science fictional horror novel exploring isolation, uneasy and unreliable allies, a deadly cave, and what the combination of being alone in the dark with all of those things does to the human mind.

Blackfish City by Sam J. Miller – last year I recommended Miller’s The Art of Starving. His follow-up novel is just as brilliant in a completely different way, offering up a brutal, post-ecological disaster world with a dash of cyberpunk flavoring, populated with characters willing to go to any lengths to get what they want, including polar bear assisted homicide.

Armistice and Amnesty by Lara Elena Donnelly – the follow up novels to another of my recommendations last year, Amberlough, and collectively known as the Amberlough Dossier. These two installments round out the trilogy, and Donnelly utterly nails it, deepening the characters, expanding the world, and breaking already broken people and places in new and interesting ways. This series might be best described as Politics Punk, with snappy dialogue, alternately lush and decaying settings, and a satisfyingly character-driven plot of shifting allegiances and those willing to do whatever it takes to achieve their goals.

Forget the Sleepless Shores by Sonya Taaffe – a gorgeous short story collection full of hauntings, myths, fairy tales, and history, all soaked in rich language to utterly immerse yourself in.

Transcendent 3: The Year’s Best Transgender Speculative Fiction edited by Bogi Takács – this series just keeps getting stronger every year, and I cannot wait for the fourth volume which should be out very soon!

Witchmark CoverWitchmark by C.L. Polk – a beautifully-built world of magic, which also explores the horrors of war, and the complications of family, while unfolding one of the most satisfying slow burns of a relationship I’ve ever seen put to page.

The Mere Wife by Maria Dahvana Headley – a glorious retelling of the legend of Beowulf, which focuses on the women of the tale while shining a light on the trauma of war and exploring what it means to be monstrous.

Black Leopard, Red Wolf by Marlon James – a dense and rich fantasy to sink your teeth into, which will sink its teeth into you right back. A dark, violent, and fascinating weaving-together of myth, magic, friendship, family, pain, and betrayal.

The Devourers by Indra Das – a drop-dead gorgeous novel about animal nature, human nature, and the intersection between the two that layers its story together and moves seamless between past and present, myth and reality, to create a stunning whole.

Sooner or Later Everything Falls into the Sea by Sarah Pinsker – a fantastic (in all senses of the word) debut collection echoing with themes of loss, magic, family, music, memory, and love.

Short Fiction

Beyond the El by John Chu – a story of complicated family relationships and how food can bring people together and tear them apart.

Tyrannocora Regina by Leonie Sky – time travel, dinosaurs, roller derby, and the messiest of family relationships. What more could you want?

Uncanny Magazine Dinosaur CoverYou Can Make a Dinosaur, But You Can’t Help Me by K.M. Szpara – speaking of dinosaurs and messy family relationships, here’s a lovely and painful story about two trans men negotiating their relationship with each other while one fights to be seen by his father, who is far more interested in his island full of dinosaurs than in his own son.

The Message by Vanessa Fogg – for the protagonist, decoding an alien message may very well be easier than simply sharing her feelings with her best friend, at least outside the bounds of their shared fan fiction.

Pull of the Herd by Suzan Palumbo – a beautiful and heartbreaking take on the animal bride trope.

Some Personal Arguments in Support of the Better You (Based on Early Interactions) by Debbie Urbanski – an AI story with Gothic undertones as a woman considers replacing herself with a more “agreeable” version for her family’s benefit.

Coyote Wears a Suit Now by Ani Fox – sometimes a trickster’s meddling ends up benefiting those meddled with, but that doesn’t mean things won’t get messy along the way.

Podcasts and Publications

Anathema Magazine CoverGone by Sunny Moraine – the inexplicable disappearance of everyone in the protagonist’s immediate surroundings is only the beginning; from there, things only get weirder.

Alice Isn’t Dead by Joseph Fink – a trucker sets out on an unsettling journey to find her wife, holding onto the hope that despite all evidence to the contrary (and despite being hunted by something unnatural) she isn’t dead.

Glittership edited by Keffy R. M. Kehrli – a podcast devoted to original and reprinted queer fiction.

Vulture Bones edited by B.R. Sanders – a quarterly speculative fiction magazine devoted to trans and enby authors.

Anathema edited by Michael Matheson – a tri-annual speculative fiction magazine devoted to the work of queer authors of color.

There you have it! These recommendations are just scratching the surface of all the wonderful queer content out there. That being the case, please do add your own recommendations in the comments. Happy Pride Month, happy summer, and happy reading!

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Catfish Lullaby Coming Soon

Catfish Lullaby CoverSome number of years ago I was at a county fair in Florida. In a tent set up with picnic tables, a live band was playing. The acoustics weren’t great; it was loud, and we were all the way in the back, so I could only halfway hear the singer. I had a vague sense of a bluesy, countryish, folksy kind of thing, but it seemed to me in that loud, hot, hard-to-hear space, that the man on stage was singing about a monster. Or maybe a legend. One of those tall tales, like John Henry, or Paul Bunyan, a larger-than-life figure either walking into or out of a swamp, leaving only footprints behind, baked hard as rock into the mud by the rising sun.

There’s a better than even chance that the song was not about that at all. More likely it was about a sweetheart leaving, a broken heart, moving on, taking revenge, or the best darn truck or hound dog the singer ever had. It doesn’t matter. I heard what I wanted to hear, or  what I needed to hear. Thus Catfish John was born.

Fast forward several years to nowish, and I have a debut novella about to make its way into the world. It’s a weird, horror, Southern Gothic type thing about a small town, buried secrets, friendship, and family. There is a swamp, and there are definitely monsters. Catfish Lullaby officially comes out on August 13, but it’s currently available for pre-order from Broken Eye Books and Amazon. The gorgeous cover art is by Sishir Bommakanti. Over on the Broken Eye Books website, you can see some very kind things Mike Allen, John Langan, and Craig Laurence Gidney had to say about the novella. You can even read a sample.

So thank you, unknown singer, for whatever it was you were singing about that day in Florida many years ago. From such misheard lyrics are legends born.

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An Interview with Sarah Pinsker

Sarah Pinsker was kind enough to drop by today to talk about her debut collection Sooner or Later Everything Falls into the Sea, and her debut novel, A Song for a New Day. To kick things off, I will shamelessly steal from Sarah’s author bio in order to make introductions.

Sarah Pinsker is the author of the novelette “Our Lady of the Open Road,” winner of the Nebula Award in 2016. Her novelette “In Joy, Knowing the Abyss Behind,” was the Sturgeon Award winner in 2014 and a Nebula finalist for 2013. Her fiction has been published in magazines including Asimov’s, Strange Horizons, Fantasy & Science Fiction, Lightspeed, Daily Science Fiction, Fireside, and Uncanny and in anthologies including Long Hidden, Fierce Family, Accessing the Future, and numerous year’s bests. Her stories have been translated into Chinese, Spanish, French, and Italian, among other languages.

Sooner or Later Everything Falls Into the Sea Cover Welcome, Sarah, and congratulations on not only your debut collection, but your debut novel coming out this year! Could you give folks a taste of the sorts of stories they’ll find in your collection, and without giving too much away, a hint of what your novel is about?

Hello! For the collection, we tried to choose a mix. I have about fifty published stories, and it was definitely hard narrowing it down. In the end we went with a mix of stories that had gotten some attention and stories that I liked but maybe not as many people had seen. As for content, I really liked this blurb from the publisher: “The journey is the thing as Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human.” That’s as good a summation as any.

The novel, A Song For A New Day (Coming from Berkley on September 10, 2019) is set in the same world as my novelette “Our Lady of the Open Road,” and features a couple of overlapping characters. It’s set in a scared and narrowed near future where people have retreated rather than risk putting themselves in danger, and features two women trying to find their purpose in that setting, one of whom remembers what came before, and one who grew up in this new order. Music, connection, technology…

Both the collection and the novel sound amazing, and I can’t wait to read them! I’ve been a fan of your work since “In Joy, Knowing the Abyss Behind”, and you’ve written so many fantastic stories over the years. One of my recent favorites is “I Frequently Hear Music in the Very Heart of Noise“, published last year at Uncanny. It feels more experimental than many of your other pieces in terms of structure and a less traditional narrative. Could you talk a bit about how the story came together, and what inspired it?

I love that story. I needed a story to bring to the Sycamore Hill workshop, and I had absolutely nothing. I found myself in a lovely library, and I decided to start pulling non-fiction off the shelves until I figured out my story. I happened upon a book called The Streets Where They Lived – A Walking Guide to the Residences of Famous New Yorkers, which is a book of walking tours. As I paged through it, it occurred to me that these walking tours were a form of time travel. A tour of a single block in midtown would bring you James Dean and Dorothy Parker, or a single building might offer you a glimpse into the lives of both Sylvia Plath and Phylicia Rashad, decades apart. They didn’t differentiate. And this story came to me that was a layering of people and stories and song, and the fantasy of a character invoked into the midst of all the real details, and weird comings-together of details that I hadn’t expected to connect, and also a love letter to the energy of New York. I grew up in the city, and I don’t think I’ll ever live there again, but there’s a feeling I get when I’m there that is unlike anyplace else I’ve been.

Music is a big part of your life, and as you mentioned, a recurring theme in many of your stories. I’m curious – do you listen to music as you write, and/or do any of your stories have a mental soundtrack that you put together either while writing or after the fact? Have you ever written an original song based on one of your stories or vice versa?

I don’t listen to songs as I write! Music takes up too much of my attention. I can sometimes put on something instrumental and let it fade, but for the most part I prefer silence. Or, oddly, coffeeshop noise, which can include conversations, cappuccino machines, and their music, so long as it isn’t my music. That said, many of my stories do have mental soundtracks. I don’t usually get around to actually making a playlist, though sometimes there’s a song I’ll need to hear before or after I write, or a series of songs. I’ve definitely written parts of a lot of the songs that show up in my stories, but my plan is to keep those to myself. I want people to imagine for themselves what the songs and the bands sounds like. I don’t think I’ve ever done the reverse, if the reverse is writing a story based on one of my songs; usually a song is complete and stands alone. I guess I’ve written stories based on other people’s songs, but that feels like a different beast. That’s usually because they’ve allowed some vagueness for me to explore that isn’t there for me in my own songs, since I know what lies between the lines.

A Song for a New Day CoverSticking with music, how does assembling a collection compare to assembling an album? Is there any crossover in terms of the way you think about rhythm and the way one piece flows into, compliments, or contrasts with the next, or in terms of building an overarching theme?

Yes, absolutely! I don’t know if other people do this, but I ended up writing the first and last lines onto recipe cards, so that I could try an order, check the flow, then rearrange again. With albums, it’s similar: a lot of listening to beginnings and endings, checking keys and rhythms and modes and instrumentation. You want a strange balance of things that feel good next to each other but don’t sound similar. And then there’s a lot of reminding myself that whatever I choose is right in the end, since nobody else will ever know what the other options might have been.

One last question related to music, but also touching on another of your passions, horses and riding – what are some of the tropes around music and horses that fiction/film always seem to get wrong? Conversely, who really gets those things right?

Ha! I could write a book about this. I’ve led several workshops and conference panels on the subject. An author usually has one chance to win my trust on horse stuff, and if they blow it by having the hero gallop off on a twenty-hand stallion, I’m hard to get back. In film or TV, I usually can’t stand how much the horses talk. They’re constantly whinnying. Horses are pretty quiet unless they’re greeting you because you’ve brought their dinner, or you’re riding away on their best friend and leaving them behind. In books, it tends to be the horse-as-motorcycle scenario, where a horse is a convenient, uncomplaining, form of travel, and for some reason often has to be majestic and huge. The larger your horse the more food you’re going to need to pack for them – and the harder it’ll be for you to hop on and off without a fence or mounting block handy. Horses have likes and dislikes. They go lame. I should probably stop there. Who gets it right? Molly Gloss is a horsewoman, and it shows in her books. Judith Tarr, also. Le Guin doesn’t write a ton about horses, but the first lines of “The Ones Who Walk Away From Omelas,” with “They flared their nostrils and pranced and boasted to one another; they were vastly excited, the horse being the only animal who has adopted our ceremonies as his own” captures horse spirit really well, even as it ascribes human emotions.

You lived in several places, but currently call Baltimore home. What are your favorite things about the city? What are the spots you like to bring guests, or recommend to people visiting for the first time? Are there any particularly fantastical or weird spots in the city that have inspired any of your fiction?

This is another question that I could get carried away with if I let myself. I usually take visitors to the George Peabody Library, which is an absolutely stunning reading room, and sometimes to the Owl Bar, where during Prohibition they used the lit-up eyes of the owl sculptures to tell patrons when a raid was imminent. The American Visionary Art Museum is probably my favorite museum anywhere, for both the weird art and the excellent curatorial notes. If a person were to visit on the first weekend of May, I would get to take them to the AVAM’s kinetic sculpture race, where human-powered sculptures shaped like giant poodles or elephants or the monsters under your bed try to make it through a miles-long course of streets, waterways, mud, and sand.

The fantastical or weird spots that have shown up in my own fiction tend to be on a smaller scale. I have a story that was inspired by the locked room in the attic of our first rental home. The original story in the collection mentions the way the circus used to walk their animals to the arena from the trainyards in West Baltimore, allowing kids a moment of wonder regardless of whether they could afford tickets.

Other than asking about their cities, one of my favorite questions to ask authors is about non-writing related jobs. What is the most unusual job you’ve ever had? What did you learn from it, and has any aspect of that job worked its way into any of your stories?

I’m trying to think if any of my jobs have been that unusual. I’ve run Girl Scout camp riding programs, led trail rides, tutored SATs, played music. I don’t think the tutoring has made it into a story yet, but all three of the other things have. Writing and performing music has definitely taught me a lot about the kind of writer I want to be, and the kind of person I want to be. I’m glad I exorcised some of my cockiness on that career, so I could come into this one without expecting to be owed anything.

With your collection out, and your novel on the horizon, what else are you working on, or have coming up that you want folks to know about?

Um, let’s see. I’m working on another novel, and I have a whole bunch of stories in the hopper waiting to be written, and I have a story that I really like in the anthology If This Goes On, which was just released by Parvus Press. I haven’t gotten my copy yet so I haven’t read the other stories, but it’s edited by Cat Rambo and has a stellar lineup: Nisi Shawl, Andy Duncan, E. Lily Yu, Steven Barnes, Zandra Renwick. I’m proud to be part of that one.

Ooh. I’ll have to check that out! Thanks for stopping by!

Thanks for having me!

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My Favorite Long Fiction of 2018

I recently posted a big ‘ole list of my favorite short stories of the year.  It was a fantastic year for short fiction, and I’m still trying to catch up, even though my list is quite long already. As it turns out, it was a fantastic year for long fiction, too. So as with my short fiction list, I feel like I’m just scratching the surface of what’s out there, and I still have reading to do. However, since I’ll never catch up in the next six days (or otherwise), I humbly submit my favorite long reads of the year. Mostly, this means novels, but I’ve also included other things I read in book format, like novellas, novelettes, collections, and anthologies. There are also a few honorable mentions for things not published in 2018, since I’m still playing catch up from prior years’ fantastic crop of publications.

The Speed of Clouds by Miriam Seidel

This novel, at its heart, is a love letter to fandom. Seidel explores the way fan fiction makes space for  the stories and people left out of canon narrative, and revels in the joy of geeky communities. It isn’t just one kind of fandom either, there is love for collectibles, science fiction, music, art, and more, along with fantastic characters, and touching friendships. (Reviewed in more detail here.)

The Only Harmless Great Thing by Brooke Bolander

An absolutely stunning novelette about communal memory, myth, radium girls, elephants, and those the world tries to use up and cast aside. It’s seething with anger, full of poetic language, and all around just a fantastic read. (Reviewed in more detail here.)

Gods, Monsters, and the Lucky Peach by Kelly Robson

A novella set in a post-environmental-disaster world where humans have harnessed time travel, and are using it to try to clean up their mistakes, or least build a better future. Humanity looks very different than it does now, but that doesn’t mean it isn’t subject to the same problems, squabbles, and misunderstandings. (Reviewed in more detail here.)

Blackfish City CoverBlackfish City by Sam J. Miller

Like Robson, Miller’s novel is also set in a world that  is post environmental disaster. In this specific case, a floating city where multiple parties are vying for power and control, while other people are merely trying to survive. There are elements of cyberpunk and ecopunk here, and a fantastic cast of characters, coming together in a story of family, secrets, and revenge. Oh, did I mention the killer whale and the massive polar bear? You definitely want to pick up a copy of this one.

The Mere Wife by Maria Dahvana Headley

In a year of truly incredible novels, this one may well be my favorite. It’s a modern re-telling of Beowulf, focused on the female characters, which explores what it means to be monstrous, what it means to become monstrous, and what society sees as monstrous. The novel takes on issues of racism, sexism, the treatment of veterans, class-ism, and so much more. At the same time, it’s a novel of budding friendship and fierce love, and all of it is absolutely gorgeously written. (Reviewed in more detail here.)

The Quartered Heart by E. Catherine Tobler

I am an absolute sucker for E. Catherine Tobler’s Folley & Mallory series. They’re full of adventure, kissing, were-creatures, archaeologists unearthing mysterious tombs and uncovering secrets, danger, gods, and delicious sensory descriptions. Whether it’s Paris in the 1800s, ancient Egypt, or the Realm of the Dead, Tobler brings every single setting in these books to brilliant life. This entry in the series – the second to last – does not disappoint. It deepens Eleanor’s story, and unravels more of her past, while vastly complicating her present. The cast of characters grows, and some familiar faces return, but I don’t want to say to much for fear of spoilers. Suffice it to say, these are excellent books, and everyone should read them. I’ll be sad when the series is over, but luckily there’s also a collection of Tobler’s circus stories coming out next year, and I am already looking forward to it and making extreme grabby hands in its direction.

Dread Nation by Justina Ireland

Ireland presents an all-too-plausible scenario in her alternate history where the civil war ended when the dead rose. Black girls are trained as “attendants” – in reality body guards who put their own lives on the line to keep their white charges safe. Jane, the main character, has a fantastic voice, and Ireland does an excellent job of slowly unwinding her past and revealing family secrets, all while offering up a fantastic, action-packed story that is by turns chilling and touching. (Reviewed in more detail here.)

The Calculating Stars CoverThe Calculating Stars by Mary Robinette Kowal

This is another alternate history novel, though with a very different flavor then Ireland’s. It imagines the space-race accelerated as a matter of necessity after an ecological disaster leaves Earth in the process of rapidly becoming uninhabitable. Kowal focuses on the women of the space program who made so many of the astronauts’ flights possible through their calculations and behind-the-scenes work. With everyone needing to leave Earth eventually, sooner or later, women will have to be allowed to actually go into space, but that doesn’t mean there isn’t still a whole lot of resistance to the idea of “lady astronauts”. Kowal does a wonderful job of showing multiple types of prejudice, and how they might play out in the scenario she presents. Her world is meticulously built, and her characters are wonderful. I haven’t yet had a chance to pick up the sequel, The Fated Sky, but I look forward to doing so, as well as reading the other books in the series when they come out.

Witchmark by C.L. Polk

Is an absolutely gorgeous book set in a world of magic, ghosts, war veterans, and family machinations. Dr. Miles Singer is a doctor at a hospital specializing in treating those recently returned from war. He’s a veteran himself, and also happens to be a witch, a fact he needs to keep secret. However when a stranger arrives carrying a dying man in his arm, everything in Miles’ world is turned upside down. Polk uses the lens of magic to look at serious issues such as a trauma, PTSD, and class-ism. This is Polk’s debut novel, and I can’t wait to see what she does next. (Reviewed in more detail here.)

Trail of Lightning by Rebecca Roanhorse

This is another novel set in a post-ecological-disaster world (funny how that seems to be on people’s minds lately). Rather than a floating city, or an alternate past, Roanhorse gives us a series of scattered settlements in the desert. When the waters rose, the Dinétah managed to survive,  finding themselves in a new world of gods, monsters, and legends. Maggie Hoskie was the protegee of a living god, drawing on her own clan powers to hunt monsters, but she withdrew from the world when her mentor abandoned her. A family comes to her for help finding a missing girl, and Maggie comes out of her semi-retirement to find that someone is deliberately creating monsters and setting them loose on the world. Maggie is a fantastic character, spiky and violent, but allowed to be vulnerable and frightened too. Despite her fear though, she never backs down, and fights fiercely for her friends against monsters, gods, and tricksters. It’s a fantastic, action-packed novel, with wonderful characters, and I look forward to reading additional books in the Sixth World series.

Collections and Anthologies

Transcendent 2 & 3 edited by Bogi Takács

This series just keeps getting better every year, collecting the best transgender speculative fiction from the prior year. There’s a reason Transcendent 2 won the Lammy last year, and I wouldn’t be at all surprised to see another win for Volume 3 this year.

Robots vs. Faeries edited by Navah Wolfe and Dominik Parisien

With a title  like Robots vs. Faeries, this anthology could have easily been goofy, but Wolfe and Parisien are a bad-ass editing team who assembled a truly fantastic line-up of stories. Some are dark, some touching, some humorous, but they are never silly or frivolous. The standouts in the collection were by Seanan McGuire, Tim Pratt, Annalee Newitz, Sarah Gailey, Jonathan Maberry, Madeline Ashby, Delilah Dawson, Alyssa Wong, Maria Dahvana Headley, and Cat Valente.

Sword and Sonnet CoverForget the Sleepless Shores by Sonya Taaffe

A gorgeous collection that draws on myth and history to tell stories of ghosts, loss, longing, love, and so much more. Taaffe’s writing is poetic, rhythmic, and lovely throughout. (Reviewed in more detail here.)

Sword and Sonnet edited by Aidan Doyle, Rachael K. Jones, and E. Catherine Tobler

In the interest of full disclosure, I have a story in this anthology, so I’m slightly biased, but it’s full of so many other wonderful stories, it’s worth mentioning. Playing on the theme of battle poets, authors offered up a wide variety of tales, from bear-haunted warriors, to living storms, to a doctor calling on ancient power and song to heal her patients. It’s a truly gorgeous collection through and through, but the stories that stood out to me in particular were by C.S.E. Cooney, Malon Edwards, Anya Ow, Matt Dovey, S.L. Huang, Khalidaah Muhammad-Ali, Samantha Henderson, and Alex Acks.

Honorable Mentions (AKA Non-2018 Titles)

The Beautiful Ones by Silvia Moreno-Garcia

As with all of Silvia Moreno-Garcia’s work, The Beautiful Ones is gorgeously written. It’s a novel of manners, magic, love, and complicated relationships. And while I’m on the subject, I cannot wait for the author’s Gods of Jade and Shadow out next year. Just look at that gorgeous cover!

An Unkindness of Ghosts CoverUnder the Pendulum Sun by Jeanette Ng

I adored everything about this book – the rich language, the creeping sense of dread beneath the surface, the Gothic sensibilities, the characters struggling to make sense of their situation, and Ng’s take on the world of Faerie. Seriously, just go read it now. (Reviewed in more detail here.)

An Unkindness of Ghosts by Rivers Solomon

This is an absolutely gorgeously-written book, though it is by no means an easy read. It’s set on a generation ship that replicates the structure of plantations, with black people as a distinct underclass, working to provide for the rich white folks, and subject to humiliation and violence at their hands. Even so, it is a novel of resistance, friendship, and unraveling family mysteries that does an excellent job of showing what life on a generation ship might actually be like. Solomon does an excellent job of showing the way scientific and technical knowledge is lost and gained over time, and how language and culture shifts by region and through the years. It’s an incredible read, and I cannot wait for the author’s next book, which is inspired by Clipping. (Reviewed in more detail here.)

So there’s my list, woefully incomplete as it may be. What were your favorite reads of the year, published in 2018 or otherwise?

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My Favorite Short Fiction of 2018

The year is almost at an end, and I’m still frantically trying to catch up on everything I missed, but now seems like as good a time as any to reflect on all the wonderful things I did read this year. 2018 was another fantastic year for short fiction. I read a lot of it, but even then I feel like I only scratched the surface. Still, as folks think about what to nominate for various awards this year, I figured I’d share my own favorite reads from the year that was…

In Her Bones by Lindiwe Rooney The Dark – a disturbing and violent story about magic, power, and a woman taking control of her destiny. (Reviewed in more detail here.)

Big Mother by Anya Ow, Strange Horizons – a coming of age story about monsters and a group of children straddling the space between worlds. (Reviewed in more detail here.)

To Blight a Fig Tree Before It Bears Fruit by Benjamin Naka-Hasebe Kingsley, Apex Magazine – a chilling story about bodies as commodities and fighting back against those in power. (Reviewed in more detail here.)

The Hydraulic Emperor by Arkady Martine, Uncanny Magazine – an obscure fragment of a cult film, an alien auction, and the power of desire and sacrifice.

Hehua by Millie Ho, Fireside Magazine – a story of murder, identity, assimilation, and the dark side of technology. (Reviewed in more detail here.)

The Glow-in-the-Dark Girls by Senaa Ahmad, Strange Horizons – a powerful story of girls turned into living weapons, and the cost of war. (Reviewed in more detail here.)

Wild Ones by Vanessa Fogg, Bracken Magazine – a beautiful story about mothers and daughters, the temptation of being stolen away by faerie, and those who stay behind.

A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies by Alix Harrow, Apex Magazine – a lovely and bittersweet story of magic, librarians, the power of fantasy, and finding the right book for the right person.

Granny Death and the Drag King of London by A.J. Fitzwater, GlitterShip – a story about queer identity, music, communal grief, and death personified. (Reviewed in more detail here.)

The Secret Lives of the Nine Negro Teeth of George Washington by Phenderson Djeli Clark, Fireside Magazine – another story about bodies as commodities, and various kinds of ghosts.

Flow by Marissa Lingen, Fireside Magazine – a story of nature magic and refusing to be defined by others’ perceptions. (Reviewed in more detail here.)

And Yet by A.T. Greenblatt, Uncanny Magazine – a story that brilliantly combines a haunted house with quantum science, alternate realities, family, and regret.

The Triumphant Ward of the Railroad and the Sea by Sara Saab, Shimmer Magazine – a story of survivor’s guilt, the hungry sea, and a mysterious train. (Reviewed in more detail here.)

The War of Light and Shadow, in Five Dishes by Siobhan Carroll, Beneath Ceaseless Skies – a sensory feast of a story about war, told by a character on the margins of battle, highlighting the power of a good meal, and the importance of a good narrative in shaping history. (Reviewed in more detail here.)

Sandals Full of Rainwater by A.E. Prevost, Capricious – a beautiful story of found family, language, and building a new life far away from home. (Reviewed in more detail here.)

Snake Season by Erin Roberts, The Dark – a creepy story of children born wrong and unreliable narrators. (Reviewed in more detail here.)

The Sower by Takim Williams, Fiyah #6: Big Mama Nature – an unsettling and effective horror story about nature taking back the planet. (Reviewed in more detail here.)

Furious Girls by Julianna Goodman, Fiyah #6: Big Mama Nature – a story that deals with the way society tries to repress and control women’s anger, and the power that anger has to be turned toward good. (Reviewed in more detail here.)

I Frequently Hear Music in the Very Heart of Noise by Sarah Pinsker, Uncanny – a dream-like story about magical architecture, and the confluence of creative works and creative people.

White Noise by Kai Hudson, Anathema Magazine – an eerie story of family, ghosts, and loss. (Reviewed in more detail here.)

The Right Way to Be Sad by Shankar Gopalakrishnan, Strange Horizons – a story about animal empathy, loss, healing, and a very good dog’s capacity for love.

Strange Waters by Samantha Mills, Strange Horizons – a story of accidental time travel, and a sailor trying to get home to her family. (Reviewed in more detail here.)

The Pine Arch Collection by Michael Wehunt, The Dark – a deeply creepy story about an unsettling amateur film project.

He Sings of Salt and Wormwood by Brian Hodge, The Devil and the Deep – an effective horror story of a diver and his artist girlfriend who find themselves the recipients of disturbing gifts from the sea.

Sea Shanties by Amelia Fisher, Apparition Literary Magazine – a story of drowning, and the longing to believe in the otherworldly. (Reviewed in more detail here.)

Salt Lines by Ian Muneshwar, Strange Horizons – a queer man longing for home finds himself haunted by a supernatural creature. (Reviewed in more detail here.)

Learning to Drown by Kristi DeMeester, Three-Lobed Burning Eye Magazine – a family with a mysterious link to the river, and the jealousy that threatens to tear them apart. (Reviewed in more detail here.)

Meat and Salt and Sparks by Rich Larson, Tor.com – an uplifted chimp detective and her human partner set out to solve a murder in a story that explores the nature of sentience and humanity.

The Synchronist by Fran Wilde, Infinity’s End – a literal race against time in a story that explores the complications of clocks, families, museums, and memory.

The Fall, the Water, the Weight by Lina Rather, Augur Magazine – a lovely story about guilt and grief as childhood friends reunite to confront the disappearance of a a friend years ago in the pool beneath a waterfall, which may be a gateway to another world. (Reviewed in more detail here.)

Leviathan Sings to Me in the Deep by Nibedita Sen, Nightmare Magazine – an unsettling story of obsession, science, violence, and the songs of whales. (Reviewed in more detail here.)

You Can Make a Dinosaur, but You Can’t Help Me by K.M. Szpara, Uncanny Magazine – a painful, yet hopeful, story about fighting to be seen, complicated family relationships, love, respect, and dinosaurs. (Reviewed in more detail here.)

Speak Easy, Suicide Selkies by E. Catherine Tobler, Beneath Ceaseless Skies
– a gorgeous story about found family, transformation, the circus, and the sea. (Reviewed in more detail here.)

The Trees of My Youth Grew Tall by Mimi Mondal, Strange Horizons – a bittersweet story about a woman who loses her son, but finds her way back to a connection with her heritage and herself. (Reviewed in more detail here.)

By Claw, By Hand, By Silent Speech by Elsa Sjunneson-Henry and A. Merc Rustad, Uncanny Magazine – a story about understanding between species, and communication with dinosaurs.

The Passenger by Emily Lundgren, Shimmer Magazine – a dream, or nightmare-like, story about friendship, longinh, and elusive, shifting reality. (Reviewed in more detail here.)

Sister Rosetta Tharpe and Memphis Minnie Sing the Stumps Down Good by LaShawn M. Wanak, Fiyah #7: Music – a story about the mysterious appearance of otherworldly creatures, friendship, and the power of music and voice.

The Chariots, the Horsemen by Stephanie Malia Morris, Apex Magazine – a story about women who fly, and those who try to keep them down.

She Don’t Fade by Die Booth, Vulture Bones – a ghost story about making peace with one’s past.

The Anchorite Wakes by R.S.A. Garcia, Clarkesworld – a story full of gorgeous imagery, about an A.I. learning to transcend her programming. (Reviewed in more detail here.)

Dead Air by Nino Cipri, Nightmare Magazine – a found footage story of voice, silence, and a town that guards its secrets with malevolent force. (Reviewed in more detail here.)

A Bond as Deep as Starlit Seas by Sarah Grey – a touching story of a captain and her starship, a bad deal, and fighting to save a friend. (Reviewed in more detail here.)

Carborundorum>/Dev/Null by Annalee Flower Horne, Fireside Magazine – a chilling story of technology used to limit women’s freedom, and simultaneously an uplifting story of friendship and women using technology to reclaim control over their lives. (Reviewed in more detail here.)

She Searches for God in the Storm Within by Khaalidah Muhammad-Ali, Sword and Sonnet – a simultaneously gorgeous and painful story of abuse, and women who are storms.

The Pull of the Herd by Suzan Palumbo, Anathema Magazine – a lovely and bittersweet story of animal brides, and being true to one’s nature.

By the Hand That Casts It by Stephanie Charette, Shimmer Magazine – an action-filled story of poison, flowers, assassins, and secret identities. (Reviewed in more detail here.)

Memento Mori by Tiah Marie Beautment, Omenana Magazine – a beautifully written and touching story about the friendship between a woman who collects souls and Death. (Reviewed in more detail here.)

It’s Easy to Shoot a Dog by Maria Haskins, Beneath Ceaseless Skies – a tense story of a witch, a dog, a brother, a sister, a debt, and a wish. (Reviewed in more detail here.)

Sea-Crowned by H. Pueyo, The Dark – a story of siblings, the sea, and fear of the other.

Some Personal Arguments in Support of the BetterYou (Based on Early Interactions) by Debbie Urbanski, Strange Horizons – a story of AI and “difficult women” with a touch of Gothic flare. (Reviewed in more detail here.)

Coyote Now Wears a Suit by Ani Fox, Apex Magazine – a story about tricksters, family, and learning to be yourself. (Reviewed in more detail here.)

Toward a New Lexicon of Augury by Sabrina Vouvourlias, Apex Magazine – a story about the literal and metaphorical magic of community, and fighting back against those in power.

The Starship and the Temple Cat by Yoon Ha Lee, Beneath Ceaseless Skies – a lovely yet heartbreaking story about ghosts, loyalty, and the casualties of war.

Variations on a Theme from Turandot by Ada Hoffmann, Strange Horizons – a story of opera, destiny, and taking control of your own fate.

The Last Banquet of Temporal Confections by Tina Connolly, Tor.com – a mouth-watering story of food, memory, love, and pastries with the power to topple an empire.

How to Swallow the Moon by Isabel Yap, Uncanny Magazine – a gorgeous story of friendship, loyalty, longing, and monsters.

Again, I feel like these stories only scratch the surface of all the wonderful work published this year. In fact, I may continue to update this post as I do more catching up. In the meantime, happy reading!

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Award Eligible Work 2018

In the spirit of practicing what I preach, I’ve assembled here a list of my own eligible work for 2018. In addition to all the usual awards (Nebula, Hugo, etc.), as a Canadian, I’m also eligible for the Prix Aurora Awards.

Short Fiction

A Moment Before Breaking (~7,900 words) published in The Devil and the Deep

In the End, It Always Turns Out the Same (~3,600 words) published in The Dark

With One Tongue (~3,800 words) published in Augur Magazine Issue 1.2

Words in an Unfinished Poem (~7,200 words) published in Sword and Sonnet

The Time Traveler’s Husband (~4,200 words) published in Shimmer Magazine #46

Non-Fiction

Words for Thought, a regular column published at Apex Magazine

Women to Read, a regular column published at The Book Smugglers

Non-Binary Authors to Read, a regular column published at The Book Smugglers

Mother Knows Best, a one-time essay published at Nightmare Magazine

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What Have You Done? What Have You Loved? 2018 Edition

It’s the most wonderful time of the year! Or is that the most nerve wracking? It’s the beginning of award season in SFF world, kicked off by the opening of the Nebula Award nomination period.

As I have done every year for the past few years, I am assembling here a links post compiling various awards eligibility posts from authors, editors, and publishers, along with recommendation posts, and links to various review sites. The goal is to help folks remember what was published this year, or catch work they might have missed. If you are an author/editor/publisher/reader with a post of your own, please let me know! Drop a note in the comments, reach out on twitter (@ac_wise), or send an email to a.c.wise[at]hotmail.com. I update this post regularly and try to keep it in folks’ minds throughout award nomination season, so do check back often!

If you’re in doubt about whether or not you should make an eligibility post – do it! Self-promotion can feel squirmy and awkward, but it’s incredibly useful to those who nominate to know what works are out there, and what category they fall into. You’re doing people a service, so please, please, please, post and share! Now, on to the links, which are broken down by category and organized alphabetically by last name.

Eligibility Posts

Anderson, G.V.

Anathema Magazine

Apex Magazine

Apparition Lit

Ashby, Madeline

Bangs, Elly

Bear, Elizabeth

Beck, Rachel

Beckett, L.X.

Beneath Ceaseless Skies

Best Series eligibility list compiled by File 770

Blackwell, Laura

Bolander, Brooke

Booth, Ruth EJ

Bovenmyer, Karen

Broaddus, Maurice

Broadswords and Blasters

Buhlert, Cora

Byrne, Kerrie Colleen

Cahill, Martin

Camp, Bryan

Case, Stephen Reid

Cato, Beth

Charette, Stephanie

Chen, Curtis

Chng, Joyce

Cipri, Nino

Clark, P. Djèlí

Codair, Sara

Cohen, L.J.

Coppersmith, Fred

Criley, Marc

Crilly, Brandon

Czerneda, Julie

Daley, Raymond

Dandenell, Karl

Dawson, J.R.

Day, Julie C.

DePass, Tanya

Diabolical Plots

Dollarhyde, Kate

Donnelly, Lizz

Donohue, Jennifer R.

Douglas, Carol Ann

Dovey, Matt

Drayden, Nicky

Duncan, R.K.

Edelman, Scott

Elasigue, Eva

Fan Writers List

Feistner, Victoria

Feldman, Stephanie

Fitzgerald, Elizabeth

Fiyah Magazine

Fogg, Vanessa

Forest, Susan

French, Lee

Gailey, Sarah

Gale, Ephiny

Gallery of Curiosities

Garcia, R.S.A.

Ginther, Chadwick

Greenblatt, A.T.

Goslee, Sarah

Gower, Jasmine

Gray, Lora

Grigsby, Sean

Griswold, Amy

Hardwick, Stuart C.

Harris, Nin

Haskins, Maria

Heartfield, Kate

Heijndermans, Joa

Held, Rhiannon

Hutchins, M.K.

Inklings Press

Iriarte, José Pablo

James, Lauren

Kania, Kathryn

Kemp, Juliet

Kinney, Benjamin C.

Kritzer, Naomi

Kunsken, Derek

Kurella, Jordan

Lawrence, Briana

Levine, David

Lewis, L.D.

Li, Mina

Liburd, Tonya

Lingen, Marissa

Lundoff, Catherine

Mack, David

MacNutt, Toby

Malik, Joseph

Mamatas, Nick

Manuel, Keith

Martine, Arkady

Matheson, Michael

Maxwell, Matt

Mayer, Jaime O.

McCosh, Emily

McGuire, Seanan

Mead-Brewer, K.C.

Mohamed, Premee

Moher, Aidan

Mondal, Mimi

Monroe, Ben

Moore, L.H.

Morrison, Diane

Mythic Delirium

New York Review of Science Fiction (NYRSF)

Nikel, Wendy

Nordhagen, Johnnemann

Novakova, Julie

O’Brien, Brandon

O’Dell, Claire

Odell, Sandra

Ogle, L’Erin

Oghaegbu, Chimedum

Older, Malka

O’Reilly, Finbar

Osborne, Emma

Osborne, Karen

Palumbo, Suzan

Payseur, Charles

Pinsker, Sarah

Piveral, C.

Polk, C.L.

Powell, Gareth L.

Prevost, A.E.

Rabinowitz, Ted

Rakunas, Adam

Rambo, Cat

Ramdas, Shiv

Rappaport, Jenny Rae

Reardon, Matthew

Roanhorse, Rebecca

Roberts, Erin

Robson, Kelly

Rodriguez, Karlo Yeager

Rossman, Jennifer Lee

Rowat, Frances

Rowland, Alexandra

Royce, Eden

Rustad, A. Merc

Sabet, Amman

Sanford, Jason

Santiago, Gabriela

Schoffstall, John

Seiberg, Effie

Seybold, Grace

Singh, Amal

Sjunneson-Henry, Elsa

Stone, Hayley

Stufflebeam, Bonnie Jo

Strange Horizons

Stuart, Alisdair

Szbranski, Henry

Teffeau, Lauren C.

Theodore, R.J.

Theodoridou, Natalia

Toase, Steve

Tobler, E. Catherine

Tomaras, Joseph

Tomlinson, Patrick

Townsend, Tracy

Triantafyllou, Eugenia

Trota, Michi

Uncanny Magazine

Valentinelli, Monica

Vogel, Dawn

Vourvoulias, Sabrina

Walker, Tammy

Wallis, Wren

Wanak, LaShawn

Wasserstein, Izzy

Weber, Christopher

Wehm, Darusha

Weimer, Paul

Westin, O.

Wilde, Fran (And a bonus thread specific to non-fiction work.)

Wiswell, John

Worrad, James

Yap, Isabel

Recommended Reading/Favorites Fiction

Amazon Best Science Fiction and Fantasy of 2018 (So Far)

Barnes and Noble Best SFF of 2018

Barnes and Noble Bookseller’s Picks for 2018

Barnes and Noble Best Horror of 2018

Barnes and Noble Blogger’s Choice Best of 2018

Book Smugglers Best Books of 2018

British Science Fiction Association Recommended Reading List (Crowd-sourced. Add your own recommendations!)

Cameron N. Coulter Favorite Short Fiction of 2018

Diabolical Plots Recommended Reading

Earl Grey Editing’s Recommended Reading

Fantasy Faction Best Books of 2018

Fantasy Inn’s Best of 2018

Maria Haskins Recommended Reading

Hugo Spreadsheet (Crowd-sourced. Add your own recommendations!)

Hugo Wikia (Crowd-sourced. Add your own recommendations!)

Kirkus Reviews Best Science Fiction and Fantasy of 2018

Kirkus SFF Blog’s Best of the Best

Latinx Authors Database 2018

Library Journal’s Best Books of 2018

Marissa Lingen’s Short Fiction Recommended Reading

Nerds of a Feather Top 9 Books of 2018

Nerds of a Feather Hugo Recommendations: Fiction, Visual Works, Individual Categories, Institutional Categories.

NPR’s Best Books of 2018

New York Public Library’s Best Books of 2018

Paste Magazine’s Best YA of 2018

Quick Sip Reviews Recommended Reading List

Jason Sanford Best Short SFF January – June 2018

Shouting About Queer SF 2018 Recommended Reading

Elsa Sjunneson-Henry’s Recommended Reading

SFWA Recommended Reading List (Crowd-sourced. SFWA members, add your own recommendations!)

Strange Horizons Favorites of 2018

Tiptree Award Recommended Reading List (Note: not all recommended works are 2018.)

E. Catherine Tobler’s Favorites of 2018

Joseph Tomaras’ Favorites of 2018

Tor.com Reviewer’s Choice Best Books of 2018

Tor.com Best Comics of 2018

Eugenia Triantafyallou’s Favorite Short Fiction of 2018

Paul Weimer – Best Books of 2018

John Wiswell’s Favorite Short Fiction of 2018

Review Sites and Resources

The links in this section point to ongoing sites/columns etc. that review work throughout the year. Note, not all work reviewed is published in 2018, so double-check its eligibility before nominating.

Antler Review (monthly reviews, short fiction, long fiction, non-fiction, etc.)

Fiction Unbound (various)

Forest of Glory (short fiction)

In Short (short fiction)

It’s a Jumble (short and long fiction)

Kirkus SFF Blog (short and long fiction)

Lady Business (short fiction, long fiction, media, fan works, etc.)

Locus Online (short and long fiction)

Nerds of a Feather (long fiction, media, comics, etc.)

Non-Binary Authors to Read (short and long fiction, not all 2018 titles)

Otherwordly/NY Times (long fiction)

Quick Sip Reviews (primarily short fiction, some longer works)

Reading the End (various)

Reviews and Robots (various lengths)

Robots with Keyboards
(monthly lists of favorite short fiction)

Salute Your Shorts (monthly short fiction round-ups/reviews)

SFF Reviews (short fiction)

Skiffy and Fanty
(various)
Squee and Snark (short fiction)

Strange Horizons Reviews (short fiction, long fiction, media, etc.)

Tor.com (short fiction, long fiction, media, etc.)

Women to Read (short and long fiction, not all 2018)

Words for Thought (short fiction)

X Marks the Story (short fiction)

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Philadelphia Writing Workshop

On Saturday, November 17, 2018, I will be teaching a session at the Philadelphia Writing Workshop. PWW is a day-long event held at the Sonesta in Rittenhouse Square with various sessions available focusing on topics from novel writing to query letters, picture books to historical fiction. My particular session will focus on Fantasy and Science Fiction, and there’s an option to reserve a session to receive a critique of the first 10 pages of your work from me. You can also book pitch sessions with agents and editors attending the workshop, which is a fantastic opportunity to get your work seen, and maybe even find representation or get published! It appears registration is still open, so if this sounds like your kind of thing, head on over to the website and book your spot now!

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Halloween Favorite: Movies

Here we are on the last Friday in October. The month went flying by, but it’s not quite over yet, which means there’s still time to enjoy more seasonal favorites. Once all the candy has been given out, or consumed, what better way to celebrate Halloween than curling up on the couch with a good scary movie? Or perhaps a cheesy movie? Or something with style, a touch of humor, and a dash of darkness? I have you covered, my friend…

Vincent Price on the set of The RavenOn Halloween, you can’t go wrong with Edgar Allen Poe, Vincent Price, or Roger Corman. If you’re feeling really saucy, why not combine all three with a triple-header Poe-stravaganza of The Pit and the Pendulum, House of Usher, and The Raven. The movies were released more or less back-to-back in 1960, 61, and 63, so why not watch them the way nature intended? I used to make a ritual of watching some combination of these three movies around Halloween every year. They’re full of glorious scenery-chewing, over the top colors, cheap sets, and for some reason, instead of a melancholy and haunting meditation on loss and death, The Raven now features a wizard’s duel and Peter Lorre transformed into the titular bird. Really, what’s not to love? And if you haven’t had enough after those three, rest easy knowing that there are in fact five more films in Roger Corman’s Poe cycle. You’re welcome.

The Rocky Horror Picture Show likely needs no introduction or talking-up from me. It’s a cult classic, and perfect for Halloween. Glitter, leather, fishnets, and murder. Singing, dancing, mad science, and references to other classics such as Frankenstein and King Kong. If you’re up for it, Rocky Horror can even be a participatory experience. Catch a midnight showing at your local theater, recite the lines along with the cast, and come prepared to throw toast at the screen. Don’t forget your corset.

BeetlejuiceBeetlejuice is another another classic that likely needs no introduction. This year, the movie is celebrating its 30th Anniversary, and dagnabit if it doesn’t still hold up. The movie hovers between comedy (the dinner party scene) and true darkness (Beetlejuice trying to force Lydia into being his child-bride, anyone?), and does so with tons of style. It may possibly be the most Tim Burton-y Tim Burton movie ever, and Michael Keaton does a fantastic job as the un-dead exorcist who specializes in ridding houses of the pesky living so ghosts can spend their eternities happily resting in peace. While the movie is more comedy than horror, there are horrific elements, and certain bits of the movie are disturbing the longer you think about it – like the aforementioned attempt at forced marriage – not to mention the fact that it opens with the death of a lovely young couple, and things go downhill for them from there. For the most part though, it’s good Halloween fun, mostly appropriate for the whole family, and you are pretty much guaranteed to have “Jump in the Line” stuck in your head for days afterward, and be happy about it.

HereditaryIn the realm of true horror films, it’s hard to go wrong with The Exorcist. Unless, you know, you enjoy sleeping, or whatever. It’s a classic story – girl meets demon, girl gets possessed by demon, girl ends up spider-walking down the stairs, vomiting pea soup, and levitating while priests try to save her. The best-known scenes aren’t even the scariest ones, though. The most effective parts of the movie come in the quiet moments of carefully built tension – the ragged sound of breathing, the knowledge that something terrible is about to happen, but hasn’t happened yet. That’s not to discount the spider-walk though. That scene is creepy as fuck.

To round things out, I offer up a recent watch, which I’m still thinking about – Hereditary. It’s hard to talk about the movie without giving too much away. Suffice it to say, the trailers for the film set up expectations for a very different kind of movie. The movie that was actually delivered is far more unsettling and haunting in multiple senses of the word. Reality and truth are slippery concepts throughout much of the film, building to a climax that cements the supernatural, but in a way that doesn’t undercut everything that came before. Again, the quiet moments are some of the most effective here, not so much in building tension, but depicting raw grief, loss, and pain more horrifying than anything otherworldly that happens. The otherworldly elements, however, are horrifying too, and images from the film are likely to stick with you for days afterward.

What are your favorite Halloween watches, scary, funny, silly, or otherwise?

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World Fantasy Convention 2018

Next week (Nov 1-4), I’ll be heading to the World Fantasy Convention in Baltimore. I’m looking forward to seeing folks I don’t get to see often enough, and finally meeting in person with some people I’ve only interacted with online. I’m also hoping for some good meals along with time spent in the dealer’s room failing to resist the urge to buy books. There are so many fantastic authors attending, and I look forward to going to readings, and listening to smart people say smart things on panels. I even have two programming items of my own.

Friday – 12:30 p.m. – Reading
I haven’t quite figured out what I’ll be reading yet, but I’m sure I’ll have it figured out by the time I get there.

Sunday – 12:00 p.m. Optimism in the New Dark Age
Panelists: Michael J. Deluca, Sarah Beth Durst, Matthew Kressel, James A. Moore, A.C. Wise

The ’00s brought us a glut of dystopian fiction, but in this new dark political era, what value or function can positive or so-called “hope-punk” fiction bring? Is optimistic fiction head-in-the-sand denialism, or is it mindfully visionary? Who are some of the writers creating this type of fiction? #HopePunk

The full schedule for the convention can be found here. I hope to see you there!

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