Wild Time by Rose Biggin and Keir Cooper (who were kind enough to provide me with a review copy) is a charming re-imagining of Shakespeare’s A Midsummer Night’s Dream. The story focuses primarily on the fairies and the company of players as they make their own respective preparations for the wedding of Theseus and Hippolyta. Though the setting remains ancient Athens, where gods and magic are very much real, Biggin and Cooper give the novel a more contemporary voice that leads to a timeless feel.
Titania looked at the Changeling, who was waiting calmly, hands on his hips and looking very casual. There was a confidence to his shoulders, and his body was as smooth as if it had been newly polished. He wore a piece of cotton, delicately printed, that bared his hips, and at some point one of the fairies had picked a red flower and placed it lovingly in his hair. ‘My word,’ she said leading him beneath the tree. ‘You’re completely gorgeous, do you know that?’
The novel incorporates familiar elements from Shakespeare’s play – the wedding, Puck’s mischief, and Bottom’s transformation – but it also introduces new ones, including Theseus and Oberon doing shots on the night before the nuptials and getting increasingly drunk, nostalgic, and maudlin, and a raucous Amazonian bachelorette party riding through the streets of Athens, descending on unsuspecting vendors demanding custom-made weapons and a sampling of local cuisine. Other elements are familiar, yet given a fresh twist, such as the play performed by the players becoming a mash-up of the story of Pyramus and Thisbe and Death of a Salesman. One of the most refreshing updates is Oberon and Titania’s relationship, which is presented here as much healthier and more respectful, with actual communication between the two, and genuine love and passion, as opposed to full of bitterness, jealously, and trickery.
The lovers Lysander, Demetrius, Helena, and Hermia, play bit roles as cosmic phenomenon and celestial bodies on the margins of the story. There’s sex magic and revelry and a brief interlude where Puck steals a train in what appears to be modern-day London. Somehow, all these elements work together, feeling like fun nods and clever updates, never tipping over into being too cheesy or ridiculous. Despite the more contemporary language, the story somehow feels more firmly rooted in ancient Athens than many interpretations of the original play. Overall, Wild Time is a fun and sexy read, straddling the line between novella and novel (though I think it technically falls onto the novel side). If you’re a fan of re-imagined classics, this is definitely one to check out.