It’s time, past time really, for another installment of Non-Binary Authors to Read. For those unfamiliar, this is a sibling series to Women to Read wherein I recommend work by non-binary authors, along with a starting place for their work. I use non-binary as a term of convenience, but the series includes agender, genderqueeer, gender fluid, neutrois, and more – essentially, authors who do not identify along the male/female binary spectrum. If you want to catch up, the other entries in the series can be found here. Onward to the recommendations!
K.C. Alexander is a genderqueer author whose SINless series begins with the novel Necrotech. Many of her works revolve around the theme of transhumanism, and so my recommended starting place for her work is her first transhumanist story, Four Tons Too Late (written under the name Karina Cooper). Four Tons Too Late follows Frank Mooney, a police officer who is part of an experimental program that has made him both more and less than human. As the story opens, Frank is near the end of his life in a nursing home, watched over by nurses who can barely be bothered with him. He’s an obsolete piece of tech, trapped in a failing body. All he has left are his memories, and even those offer little solace. His ex-wife remarried his partner, Jenkins. His colleagues on the force called him derogatory names like scrap squad and bucket head. The one bright spot in his memories is a young girl he saved from the streets, who he tried to raise as his daughter, but even that ended poorly, and now they’re estranged. There are comparisons to be made with RoboCop, but Four Tons Too Late is a story on a much smaller and more intimate scale. Frank’s least human qualities serve to underline his humanity. His struggle with simple things, like trying to pick up a coffee cup with his augmented hands without shattering it, or opening a refrigerator door without ripping it off the hinges, convey a sense of isolation, a loss of dignity, and a vulnerability, can be seen as a metaphor for aging or sickness. Frank’s servos and sensors that he wills to cooperate could just as easily be arthritic joins, or muscles impacted by a stroke. At the heart of the story is the reminder that sometimes is the loss of elements of our humanity that reminds us most sharply of who we are at our cores. Four Tons Too Late is a powerful story about family, the complicated nature of love, and the cost of being alive, and it’s an excellent starting place for K. C. Alexander’s work.
Alex Acks is a writer, reviewer, and a sharp dressed sir. I have long been a fan of their short fiction, but my recommended starting place is their debut novel, Hunger Makes the Wolf (written under the name Alex Wells). Acks immediately drops readers into a world that feels lived in, with characters whose lives extend beyond the page. By the time we meet Hob Ravani, she already has a strange encounter with a phoenix in her past, and is imbued with witchy power she doesn’t fully understand. She also has a fall from grace in her past, which has left her clawing her way back up to a respected position within the Ghost Wolves, the mercenary biker gang that makes up half of her adopted family. As the story opens, the other half of Hob’s adopted family is in the process of being torn apart. The man who raised her is found murdered in the dunes, and her sister Mags is missing. Hob sets out to find the truth, and help her sister if she can, even though she’s been estranged from that side of the family for years. The story is set against the backdrop of Tanegawa’s World, a hardscrabble mining planet controlled by the TransRift Corporation. There’s a mysterious and not-quite-human being called the Bone Collector, who may or may not be Hob’s ally, and there are Weathermen, genetically engineered creatures under company control who are definitely not on Hob’s side. People with Hob’s powers are being hunted, and TransRift is tightening its grip on the people of Tanegawa’s World to a chokehold. Hunger Makes the Wolf is gritty in the truest sense. There is dust and dirt everywhere, and you can practically feel it between your teeth as you read. Elements of the novel are reminiscent of the best parts of Firefly, with a band of underdogs fighting back against a faceless central authority. The story feels more embedded though, showing the daily struggle of the miners’ lives, and their quiet acts of resistance alongside the more dramatic ones. There’s a cinematic quality to the novel, which would make it brilliant source material for a television series or mini-series. It’s full of action, and there’s even a train heist! Acks doesn’t skimp on character however. Hob’s relationship with her family, including the Ghost Wolves, is complicated and messy, making it all the more real. They don’t always get along, but they fight fiercely for each other, and new layers to the characters unfolds as the story does. The characters and worldbuilding are unique, and in the Weathermen, Acks offers a truly unsettling and intriguing new monster. The fact that it is reminiscent of Firefly makes it the perfect book for those still holding out hope for the series to be resurrected, and either way, it is an excellent starting place for Acks’ work.
Raven Kaldera is an intersex author, Pagan shaman, and an activist. My recommended starting place for his work is CyberFruit Swamp, originally published in Genderflex: Sexy Stories on the Edge and In-Between, and reprinted in Queers Destroy Science Fiction. CyberFruit Swamp is a decadent story about hook-up culture in a future where gender, sexuality, and physical bodies are more mutable than they are today. The protagonist is a nachtlei, trans and mostly male-presenting, but not rigidly fixed to one gender or sexuality.
I used to call myself pansex, but men and womyn think you’re great at first, and then they get to thinking. Thinking. Wondering what they are in relation to you. Queer. Straight. Husband. Wife. Then they get uncomfortable. So when I fill out for the forms for the Net personals now, I check off NQ – Nachtlei Queer. I only sleep with my own kind. It’s safer that way.
On the hunt, they leave the house dressed to kill, packing two of their seven APPles, also known as Artificial Penile Prosthetics, or CyberCocks. They have one for each situation, each mood. They wear chains signifying their preference, reminiscent of real life dress codes used within the queer community in the time when it wasn’t as safe to be out in the open. In a bar the protagonist meets a Boy, one who seems naive but also irresistible, and with a way of getting past their defenses. The story is short, but manages to cover a lot of ground along the way – exploring questions of gender, sexuality, consent, and control. On top of those themes, the story also touches on questions of who is protected by the law, and what gaps are left by a limited understanding of sex and sexuality. There’s a BDSM element to the story, and the question of the law and who it protects arises as the second half of the characters’ consensual encounter gets mistaken for attempted rape, which, within the world of the story can only be considered rape if it’s committed with a “real” penis. It’s a fascinating story, stylishly told, and sexy to boot. Overall, it’s an excellent starting place for Kaldera’s work.
Three excellent authors, three recommended starting places for their work. I’ll be back with more non-binary authors to read soon, but in the meantime, please leave your own recommendation in the comments, and happy reading!