It’s been a while, far too long in fact, so now it’s high time for another Non-Binary Authors to Read post. If you’re new to the series and catching up, the first five installments can be found here: 1, 2, 3, 4, and 5. I use non-binary as a term-of-convenience, meant to include agender, genderqueer, genderfluid, neutrois, and other genders that do not align with the male/female binary. I do my best, but if I ever fuck up a pronoun, or misgender anyone, please let me know. I will make changes with my sincere apologies!
Foz Meadows is a genderqueer author, blogger, essayist, reviewer, and poet, and was nominated for a Hugo Award for Best Fan Writer for her blog, Shattersnipe in 2014. My recommended starting place for her work is Ten Days’ Grace, published by Apex Magazine in 2014. The story describes a reality that feels all too frighteningly possible, where family structures are mandated by law, for the ‘good of the children’. Each child must be raised by two parents, one male, one female, regardless of whether they love each other. Single parenthood is not an option, nor is same-sex marriage, or abortion. A parent who finds themselves widowed receives ten days grace to mourn before they must marry again. Julia, the protagonist of Meadows’ story, finds herself in just such a situation. Twelve years into a loveless marriage, her husband dies in a car crash. Julia’s daughter, Lily, was the result of an affair with a married man, leaving her little choice but to marry a stranger in order to protect her daughter. Now, she’s forced into the situation again. Meadows shows the emotional impact such laws might have on women and children, those who have the least say and power in the situation, and it is heartbreaking. The story is not hopeless however. Julia develops a relationship with the agent assigned to ensure she remarries, and they strike a deal. He is gay and has no more interest in marrying than she does, but a marriage will protect him, and help his career. It’s still a relationship of convenience, but one that seems like it could develop into a genuine friendship. Sora and Julia are both taking a risk, trusting each other when they barely know each other. By having Julia and Sora follow the letter of the law, if not the spirit, Meadows shows how useless said laws are. After starting with her fiction, I highly recommend checking out Foz’s non-fiction on her blog and elsewhere.
Lora Gray is a writer, illustrator, and dance instructor. My recommended starting point for their work is Shadow Boy, published in Shimmer’s September/October 2016 issue. Shadow Boy is a take on the story of Peter Pan, specifically one of its darker and more disturbing aspects – the idea of a boy whose shadow needs to be forcibly reattached. The focus is not Peter here, but PJ, whose family believes her to be a girl, but whose shadow is a boy. PJ’s shadow fights PJ from within, further adding to their struggle to decide who they are and who they want to be. PJ doesn’t fully identify as a girl, but doesn’t fully identify as male either. Their family is less than supportive, and when Peter comes into their life, at first it seems like a blessing. He scorns traditional gender norms with his clothing, and propriety in general, stomping around funerals and wearing dead pigeons as jewelry. PJ envies his freedom, but there’s something sinister about him as well. When PJ’S shadow escapes, Peter offers help, but he wants to keep PJ’s shadow in return. I’ve always been a sucker for Peter Pan stories, especially ones that touch on the darker side of his nature. There’s something truly unsettling about a boy who never grows up, who kidnaps other children, but abandons them if they refuse to live in his world of perpetual childhood. Gray does an excellent job of weaving familiar elements of the Pan story with issues of gender dysphoria, and outside perception vs. self identity. The imagery throughout the piece is striking, and beautiful language balances the pain in the tale.
S. Qiouyi Lu is a writer, artist, narrator, and translator. My recommended starting place for their work is Her Sacred Spirit Soars published in Strange Horizons’ Queer Planet issue. A pair of interdependent mythical birds, kimkim, with one eye and one wing each, are separated. One of the birds is forced into the body of a human woman as an experimental cure for her mental illness. The story is soaked in longing, as the woman remembers being the bird, and the bird slowly takes on the identity of the woman, becoming a ghost inside her skin. The doctors tell her she’s sick, but getting better; she remembers flying, and being part of something larger than herself. She remembers another being as part of herself, and there is a hole where that other half of her should be. In the center where she’s being treated, she begins to develop a tentative relationship with her roommate, Yaulan. It feels both like a betrayal of her other half, and a moment of hope. They are both lacking something, both searching for a meaningful connection. Through gorgeous, poetic imagery, Her Sacred Spirit Soars explores the idea of identity and wholeness, while blurring the line between fantasy and reality. The story can be read as metaphorical or literal, and it works on both ways. It’s an excellent place to start with S. Qiouyi Lu’s work.
Margaret Killjoy is a genderqueer author and editor. My recommended starting place for their work is Everything That Isn’t Winter, recently published at Tor.com. Elements of Killjoy’s piece remind me of Emily St. John Mandel’s excellent Station Eleven. They are both ‘quiet apocalypse’ stories, taking place after the end of everything when the world is in a period of recovery. In the case of Killjoy’s story, the protagonist, Aiden, is a former fighter, trying to find a place in the new world. The violence of their past frightens them, and they are struggling to make a new life, rebuilding themselves as they help rebuild society. At the same time, Aiden is going through a rough patch with their boyfriend, Khalil. There’s a gap between them, a breakdown in understanding that Aiden doesn’t know how to bridge or heal. When the In-Between Lodge where they live with a small community, harvesting tea, is attacked, Aiden goes off to fight. The impulse to violence warring with the desire for peace, and the fear of losing Khalil for good, eventually leads to a breakthrough. Rebuilding isn’t easy work, for individuals, or for society as a whole, but it’s easier together, and together Aiden and Khalil will find a way forward. The story provides a fascinating look at what happens to soldiers once the war ends, and a look at the new shape societies take when the fundamentals they took for granted are no longer there. It shows both the brutality humans are capable of, and our ingenuity and determination in the face of adversity.
So there you have it, four fabulous authors and a recommended starting place for their work. But wait, there’s more! This time around, I have a bonus recommendation, and a wonderful-looking project to plug.
First up, my bonus recommendation is the Queering the Genre series curated by D Libris. D is a genderqueer reviewer and occasional essayist, and I only include this as a bonus and not a main feature since I don’t believe they technically self-identify as an author. Queering the Genre includes guest essays, reviews, and author spotlights with a focus on queer fiction, and it’s well worth checking out. You can find D’s mission statement for the series here.
Last, but not least, is a plug for Andi Buchanan’s IndieGoGo campaign for Capricious: The Gender Diverse Pronouns Issue. Andi edits Capricious, and I’ve covered their work in a previous installment of this series. The issue looks like it will be fabulous, and there are lots of fun rewards on offer for backing the campaign, including your very own adorable, handmade fuzzhog. Take a look and lend the project your support, if you’re so inclined.
Thanks for reading, and I’ll do my best to make sure there isn’t such a long gap before the next installment of the series.