Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora edited by Zelda Knight & Ekpeki Oghenechovwe Donald brings together an incredible group of authors, spinning tales of near-future science fiction, post-apocalyptic worlds, distant and mythic pasts, and more, imagining what might be, and what never was. The anthology officially comes out in August, but I was lucky enough to get a sneak peek.
As the title states, the common thread binding these stories is Africa and the African Diaspora, but the stories themselves range across the genres and sub-genres of speculative fiction, from horror, to fantasy, to science fiction, and everything in-between. A wide variety of voices and styles are on display here, and there’s a little bit of something for everyone. The editors assembled a strong collection, with several stories that were true standouts for me.
“Red_Bati” by Dilman Dila is a charming and touching story of a robot dog programmed with sentience by his former owner, who finds himself scooped up as salvage. With only the ghost of the old woman who was his former charge as his companion, he must plot his escape or risk being scrapped for parts. Red_Bati sees himself as a human trapped in a robot dog’s body, and at its heart, the story is a very human one as Red_Bati copes with feelings of obsolescence, abandonment, and searches for his place in the world.
Once his battery ran down, he would freeze and that would damage his e-m-data strips. Though these could be easily and cheaply replaced, he would lose all his data, all the codings that made him Red_Bati and not just another red basenji dog, all his records of Granny. He would die.
“A Mastery of German” by Marian Denise Moore explores the idea of inherited memory, and the ethics of gene editing. The story touches on how easily history can be lost, especially Black history, by looking at whose stories get preserved and told, versus whose stories are forgotten because they’re merely “ordinary” people. Moore raises complicated questions about how science might be deployed to pass skills and knowledge from generation to generation, and how easily the ability to do so might be exploited and corrupted.
Somewhere in the world, there is a man, seventy years old, a native New Orleanian who has never left the city save for the occasional Category 5 hurricane. He has a sixth-grade education but he has always held some kind of paying job. However, if you ask him a question in German, he will answer you without hesitation in an accent reminiscent of the region around Heidleberg.
“Sleep Papa, Sleep” by Suyi Okungbowa Davies edges into horror territory, with an unsettling story of a son who finds himself drawn into the family business of grave-robbing and body harvesting, despite his best efforts to escape and make a life for himself elsewhere. When he sells pieces of a corpse from an unmarked grave, he finds himself haunted by the remains of his father, and he must confront his choices – his guilt over leaving, his decision to return, and his unwitting breaking of taboo.
There are mud tracks on the floor tiles that he didn’t notice before. They run from the door, but don’t end at Max’s feet at the entrance to the kitchenette. The TV’s light is insufficient, so Max squints to follow the tracks, which he notices are odd because while one is a complete footprint, the opposite foot has most of the sole with no trace of toes.
Davies effectively harnesses truly chilling imagery to ultimately tell a story about family, responsibility, and being caught between a sense of duty, and a desire to make one’s own way in life.
“The Satellite Charmer” by Mame Bougouma Diene feels epic in scope as it follows the transcendence and evolution of Ibrahima, who throughout his life has felt a strange connection to the mining satellite stripping and exploiting his people’s land. The writing is lovely, and the story’s structure itself mirrors Ibrahima’s journey, opening into something larger as the tale progresses, the language shifting to hold the reader at a greater distance as Ibrahima increasingly loses touch with his humanity and becomes something more.
The beam was death: he knew that; but to him it was life, in a way he couldn’t quite understand. His senses heightened when it dropped, turning the clouds a deep red, every action anticipated by just a fraction. The future was not so much ahead of him, but already waiting for him to reach out and touch, if only he could break out of his body. Sometimes it almost felt like he could; that if he took a step forward and over the cliff to certain death he wouldn’t fall.
“Ife-Iyoku, The Tale of Imadeyunuagbon” by Epeki Oghenechovwe Donald closes out the anthology on a strong note with a powerful tale of a woman repeatedly denying the expectations placed upon her, and refusing to play the role others would assign her. Like “The Satellite Charmer”, the story has a post-apocalyptic feel, and follows the transcendence and evolution of one character, Imade, as she becomes something more than human. A small group of people survive the fallout of nuclear war in Africa and develop powers as a result; the sacred charge to survive leads them each to make difficult choices according to their beliefs, however Imade alone refuses the idea of destiny, and refuses to be used as a vessel for the survival of her people. The story explores of power, the expectations placed on men versus women, and like “Sleep Papa, Sleep” the weight of tradition and society versus personal freedom.
She felt the blowing of a chilled wind, but Mama Inkiru’s wrapper did not stir in the wind. Mama Inkiru sailed slowly to her, and now she realized why everything seemed to hazy to her, why the wind had no effect on her, why she cast no shadow: Mama Inkiru was dead.
Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora is currently available for pre-order. I highly recommend getting your hands on a copy of this fantastic anthology and reveling in the wide variety of wonderful speculative tales within!