There are certain stories that stick with you long after you finish reading them. Nino Cipri is a master at crafting such stories, and that mastery is on display in their debut collection, Homesick, recently released from Dzanc Books. Last week I posted an interview with Nino, where they discussed the collection and the theme of home that echoes through the stories. Home isn’t always a comforting place, and Cipri captures that perfectly in. In “A Silly Love Story” Jeremy’s closet is haunted, forcing him to share the space that should be a refuge with an entity he doesn’t understand. In “Which Super Little Dead Girl TM Are You?” home is certainly not a safe place. It is the place where one of the girls died, betrayed by those who were supposed to love and protect her; for another, it is a place she is no longer welcome, as evidenced by her parents’ horrified faces when she came back from the dead. In “Dead Air”, Maddie tries to avoid talking about her home completely, until she finally agrees to bring her girlfriend with her for Thanksgiving to meet her mother and the truly unsettling nature of her hometown is revealed. In “She Hides Sometimes”, the protagonist finds pieces of her parents’ house vanishing and shrinking, mirroring her mother’s decaying mind.
Even when home is frightening or unwelcoming, there is still a pull, a compulsion to return, and Cipri captures that perfectly as well. In “The Shape of My Name”, my absolute favorite of their stories (though it’s hard to pick just one), the lure of home and the treachery of it are inextricably bound. Heron, a trans man, returns to his home over and over as he loops through time. Born in the 50s, he jumps forward with his mother to visit their house in the 1980s, then later, travels back to visit his great uncle in the 1920s. As a very young child, Heron remembers a strange visitor arriving at their door one night in the midst of a storm. As a young man, his
mother jumped forward to the furthest point in the future the time machine would allow her to go, abandoning the family. For Heron, home is fraught. It’s where he fished with his dad, talking about his favorite TV shows; it’s where his father later committed suicide. It’s where his mother refused to acknowledge him, and his identity, but where his mother’s distant cousin from the future first encouraged him to introduce himself by whatever name he chose, allowing him to see for the first that gender was something he could choose for himself too. Home is where he goes to recover from his gender affirmation surgery, and the place he goes to confront his mother with his true self, closing the circle by returning as the stranger he remembers coming to the door when he was four years old.
Home is many things, and Cipri explores its facets and complications, its comforts and terrors throughout the collection. The stories range from horror to science fiction, fantasy to surreal slipstream. The majority of the stories are also beautifully queer, some suffused with hope, others touched with sadness, and many blending the two. While the majority of the stories in the collection are reprints, the collection closes out with an original novella (or perhaps a novelette?), centered on three scientists who uncover the remains of an ancient, intelligent, non-human species, who must contend with their troubled relationships with each other, as they sort out their duty to the past.
Overall, it’s a wonderful collection, bringing together many of my favorite of Cipri’s stories. If you’ve never read their work, Homesick is the perfect place to start. If you have read their work, the collection is the perfect opportunity to revisit their stories and immerse yourself in the comforts, and terrors, of home.